The Witches find The Effect at the National Theatre

Roald Dahl’s The Witches and The Effect have been added to the National Theatre’s 2023 line-up, while casting has been announced for three more upcoming shows.

The Witches will play in the Olivier theatre from November in a new musical version of Dahl’s iconic story by Lucy Kirkwood and Dave Malloy, directed by Lyndsey Turner.

As the story goes, everything you know about witches is wrong. Forget the pointy hats and broomsticks: they’re the most dangerous creatures on earth. And now they’ve come up with their most evil plan yet.

The only thing standing in their way is Luke and his Gran. But he’s ten and she’s got a dodgy heart. Time is short, danger is everywhere, and they’ve got just one chance to stop the witches from squalloping every stinking little child in England.

Katherine Kingsley

The cast includes Katherine Kingsley (The Larkins) as the Grand High Witch and Daniel Rigby (One Man, Two Guvnors) as Mr Stringer, alongside Julie Armstrong, Chrissie Bhima, Zoe Birkett, Daniele Coombe, Molly-May Gardiner, Tiffany Graves, Tania Mathurin, Jacob Maynard, Laura Medforth and Ben Redfern.

It is directed by Turner (The Crucible) with book and lyrics by Kirkwood (Mosquitoes) and music and lyrics by Malloy (Natasha). The set and costume designer is Lizzie Clachan with choreographer Stephen Mear, music supervisor Nigel Lilley, music director Cat Beveridge, lighting designer Bruno Poet, co-sound designers Alexander Caplen and Ian Dickinson, video designer Ash J Woodward, illusions by Chris Fisher and Will Houstoun, casting director Bryony Jarvis-Taylor, associate director Séimí Campbell, staff director Priya Patel Appleby, associate set designer Shankho Chaudhuri, associate costume designer Johanna Coe, associate choreographer Jo Morris, associate music director Natalie Pound and children’s and assistant music director Sarah Morrison.

The Witches will play in the Olivier theatre from November 7, recommended for ages 8+.

Meanwhile, The Effect by Lucy Prebble (Succession) and directed by Jamie Lloyd (Cyrano de Bergerac) will play in the Lyttelton theatre from August.

A funny and intimate examination of love and ethics, Connie and Tristan are falling for each other fast – but is their sudden and intoxicating chemistry real, or a side effect of a new antidepressant? As two young volunteers in a clinical drug trial, their romance poses startling dilemmas for the supervising doctors.

Paapa Essiedu (I May Destroy You) is cast as Tristan and Taylor Russell (Bones and All) as Connie, with further casting to be announced. 

The set and costume designer is Soutra Gilmour, with lighting designer Jon Clark, composer Michael ‘Mikey J’ Asante, sound designer George Dennis, movement directors Sarah Golding and Yukiko Masui (SAY), fight director Kate Waters, intimacy co-ordinator Ingrid Mackinnon and casting director Alastair Coomer.

The Effect will play in the Lyttelton theatre from August 1.


The National theatre has also announced casting for the revival of The Father and the Assassin.

Director Indhu Rubasingham reunites with Anupama Chandrasekhar for this essential exploration of oppression and extremism.

Mahatma Gandhi: lawyer, champion of non-violence, beloved leader. Nathuram Godse: journalist, nationalist – and the man who murdered Gandhi. This gripping play traces Godse’s life over 30 years during India’s fight for independence: from a devout follower of Gandhi, through to his radicalisation and their tragic final encounter in Delhi in 1948.

The cast includes Hiran Abeysekera (Life of Pi) as Nathuram Godse with Paul Bazely reprising his role as Mahatma Gandhi. The cast also includes Azan Ahmed, Ravi Aujla, Ayesha Dharker, Ravin J Ganatra, Raj Ghatak, Halema Hussain, Nadeem Islam, Tony Jayawardena, Nicholas Khan, Raj Khera, Hari Mackinnon, Sid Sagar and Akshay Shah.

The set and costume designer Rajha Shakiry, with lighting designer Oliver Fenwick, movement director Lucy Cullingford, composer Siddhartha Khosla, additional music by David Shrubsole, sound designer Alexander Caplen, fight directors Rachel Bown-Williams and Ruth Cooper-Brown, casting director Alastair Coomer and associate set and costume designer Khadija Raza.

The Father and the Assassin will play in the Olivier theatre September 8–October 14.

Hampstead lines up Linck & Mülhahn

Hampstead Theatre will see the world premiere of Linck & Mülhahn, a new play written by Ruby Thomas and directed by Owen Horsley.

Inspired by the real life of an 18th century gender pioneer, the story takes place in 1759 Prussia, where dashing musketeer and skilled seducer Anastasius Linck has no intention of falling in love. But when he meets passionate young Catharina Mülhahn, so strong is the attraction that the match becomes inevitable.

As the couple strive to build a radical kind of marriage, Catharina’s mother becomes obsessed with her mysterious son-in-law and sets out to uncover his secret – a secret that, if revealed, threatens to engulf them all.

Maggie Bain (Man to Man) stars as Anastasius Linck, with Helena Wilson (Jack Absolute Flies Again) as Catharina Mülhahn. Lucy Black (The Durrells) plays Mother, with the cast also including Daniel Abbott, David Carr, Marty Cruikshank, Kammy Darweish, Qasim Mahmood, Leigh Quinn and Timothy Speyer.

Linck & Mülhahn follows Thomas’ two sold-out plays for Hampstead Downstairs: The Animal Kingdom, and Either. The show also marks the first Hampstead project for Horsley, whose credits include Rebellion and War of the Roses for the RSC.

The show is designed by Simon Wells with lighting design by Matt Daw, sound design by Max Pappenheim and assistant direction by Dewi Johnson. The fight and intimacy direction is by Rachel Bown-Williams and Ruth Cooper Brown.

Linck & Mülhahn will run at Hampstead Theatre from January 27-March 4, 2023.