Ken Ludwig on adapting Agatha Christie’s Death on the Nile
Playwright Ken Ludwig speaks to The Theatre Playbook about bringing Death of the Nile to the stage, adapting Agatha Christie and his take on the Queen of Crime’s iconic detective…
Playwright Ken Ludwig speaks to The Theatre Playbook about bringing Death of the Nile to the stage, adapting Agatha Christie and his take on the Queen of Crime’s iconic detective…
Now starring in The Daughter of Time, Rachel Pickup tells The Theatre Playbook about starring in this adaptation of Josephine Tey’s novel, playing an actress on stage and why she’s…
Storehouse co-writer Tristan Bernays details the making of this epic immersive theatre experience opening at Deptford Storehouse where audiences will step into a digital underworld housing humanity’s stories since the…
Cul-de-Sac writer and director David Shopland tells The Theatre Playbook about the long journey to bring his latest production to the stage, the mundane conversation that started it all and…
As Dora Gee prepares to reprise the leading role in The Mad Ones at The Other Palace, she speaks to The Theatre Playbook about “the easiest decision” she’s ever made,…
Ahead of the London premiere of Barney Norris’ Blood Wedding at Clapham’s Omnibus Theatre, star Alix Dunmore talks to The Theatre Playbook about this adaptation of Spanish playwright Frederico Garcia…
As Georgie Wedge brings her Edinburgh Fringe Festival show Per-Verse to London’s Riverside Studios, she tells The Theatre Playbook about the origins of the show, its roots in her own…
Rob Alexander-Adams tells The Theatre Playbook about linking up with the cast and crew of F***ing Men, Joe DiPietro’s play that has returned to London for a six-week run at…
Conversations After Sex star and producer Olivia Lindsay discusses bringing Mark O’Halloran’s award-winning Irish play to London for the first time, its raw and authentic storytelling and why she’s championing…
Playwright Ruth D’Silva speaks to The Theatre Playbook about penning her debut feature play Bungalow, how she developed it for the Theatre503 stage and reveals the details of her writing…